Orlando
(Autor) Virginia WoolfThe beautiful Everyman gift edition in hardback. The Lord Orlando's country seat has 365 rooms. An exquisitely beautiful youth, he is a favourite of the ageing Queen Elizabeth and enjoys all that Court and tavern have to offer. He falls passionately in love with the intriguing Sasha, an androgynous Russian princess, who jilts him. Stricken, he takes up Literature, penning huge quantities of poems and plays, 'all romantic, and all long'. A few decades later a still youthful Orlando is appointed ambassador to Constantinople by Charles II. Here he wakes up one day and finds he has the body of a woman. "Different sex, same person", she observes, unphased. In London, it is the eighteenth century, and she can hobnob with "men of genius" Pope and Swift, Johnson and Boswell. She has affairs with both women and men, but before long it is the nineteenth century, oppressively gloomy and moral and probably time to find a husband. Fortunately, in a Brontesque moment on a moor, the gender- nonconforming Marmaduke Bonthrop Shelmerdine, newly back from Cape Horn, gallops past and scoops her up into bliss. Woolf's most unusual and joyous novel was inspired by her affair with the dashing author and aristocrat, Vita Sackville West.
Virginia Woolf
Virginia Woolf was a prominent English writer and modernist literary figure. Known for her stream-of-consciousness writing style, she challenged traditional narrative structures and explored themes of gender, class, and mental health in her works. Some of her most notable works include "Mrs. Dalloway," "To the Lighthouse," and "Orlando." Woolf's contributions to literature include her innovative approach to character development and narrative technique, as well as her exploration of the inner lives of her characters. Her most famous work, "Mrs. Dalloway," is considered a masterpiece of modernist literature and a reflection of Woolf's unique literary voice. Woolf's impact on the literary genre is undeniable, as she paved the way for future generations of writers to experiment with form and style in their own works.
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