Japanese Woodblock Prints 1680 - 1980

Worcester Art Museum

(Author) Fiona Collins
Format: Hardcover
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A major new survey of an internationally significant collection of Japanese woodblock prints. This wide-ranging volume brings together over seventy five significant woodblock prints from the collection of Worcester Art Museum, spanning three hundred years, from the seventeenth century through the twentieth. Organized chronologically, it begins with rare, and in some cases unique, examples of Edo-period (1603-1868) woodblock ukiyo-e prints, many of which were sourced from the museum's seminal John Chandler Bancroft collection, donated in 1901. Encompassing a diverse range of sizes, materials, and subjects, among the renowned artists represented are Katsushika Hokusai, Utagawa Kunisada, Utagawa Hiroshige. This volume then surveys later periods and artists associated with Japanese print output during the late nineteenth- and early twentieth-century Meiji (1868-1912) and Taishō (1912-1926) periods including many produced by artists working as part of the Shin-hanga "new prints" and Sōsaku-hanga "creative print" movements. The works from this time period include designs by such influential artists as Tsukioka Yoshitoshi, Kamisaka Sekka, Hashiguchi Goyo, Yoshida Hiroshi, Kōshirō Onchi and Ito Shinsui. Finally, later post-war prints featured in the catalogue, dated to the 1950's onwards, manifest the influence of international art movements including Cubism, Surrealism and Popart.

Information
Publisher:
D Giles Ltd
Format:
Hardcover
Number of pages:
None
Language:
en
ISBN:
9781913875916
Publish year:
2025
Publish date:
April 7, 2025

Fiona Collins

Fiona Collins is a bestselling author known for her gripping psychological thrillers that delve into the complexities of human relationships. Her most famous work, "The Sister-in-Law," has captivated readers with its twisty plot and compelling characters. Collins' contributions to literature lie in her ability to craft suspenseful and thought-provoking stories that keep readers on the edge of their seats.

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